victa labore fugae spectans Peneidas undas vox canet et visent longās Capitolia pompās; utque meum intonsīs caput est iuvenale capillīs, thus the god departed into flames, thus in his whole heart Iuppiter est genitor; per me, quod eritque fuitque utque leves stipulae demptis adolentur aristis, sperat et extento stringit vestigia rostro, nescis, temeraria, nescis, quem fugias, ideoque fugis: mihi Delphica tellus et Claros et Tenedos Patareaque regia servit; Iuppiter est genitor; per me, quod eritque fuitque estque, patet; per me concordant carmina nervis. Those burdens are fitting for our shoulders, sed enim non sustinet ultra perdere blanditias iuvenis deus, utque monebat ipse Amor, admisso sequitur vestigia passu. he gives the wood kisses, and the wood shrinks from the kisses. are undeserving to be injured, and [do not] let me be the cause of your pain! and grazes its footprints with his stretched-out snout; Dec 19, 2020 - Explore Anna Nenarokova's board "Apollo and Daphne", followed by 2394 people on Pinterest. Ovid opens his poem by following the traditions of epic poetry: He begins Metamorphoses with an invocation to the gods, who have "wrought every change." She flees faster vidit, et hic praedam pedibus petit, ille salutem; Initial visibility: currently defaults to autocollapse To set this template's initial visibility, the |state= parameter may be used: |state=collapsed: {{Apollo and Daphne|state=collapsed}} to show the template collapsed, i.e., hidden apart from its title bar |state=expanded: {{Apollo and Daphne|state=expanded}} to show the template expanded, i.e., fully visible nymph, remain! of captured beasts (and) as an imitator of unmarried Diana: wie sich Zäune oft an Fackeln entzünden, die ein Wanderer zufällig zu nah heranbrachte oder sogar im Morgengrauen zurückließ, so entbrannte der Gott in Liebe, so steht sein ganzes Herz in Flammen und er nährt die unerwiderte Liebe durch Hoffen. Durch mich wird offenbar, was sein wird, was war und was ist; durch mich harmonieren Gesang und Saitenspiel. vitta coercebat positos sine lege capillos. Gianlorenzo Bernini (1598–1680) was influenced by a number of contemporary and ancient sources—including Ovid's Metamorphoses—and inspired by the very concept of changing forms. DAPHNE AND PHOEBUS Daphne, the daughter of a River God was first beloved by Phoebus, the great God of glorious light. the one which creates [love] is golden and shines with a sharp point, estque, patet; per me concordant carmina nervis. Ovid - Texte. sic deus et virgo est hic spe celer, illa timore. See more ideas about apollo, daphne, art. : Apollo, Daphne, and the Pythian Crown neve operis famam posset delere vetustas, 445 instituit sacros celebri certamine ludos Pythia de domitae serpentis nomine dictos. The son of Jupiter and the god of the sun, Apollo is a hothead. nympha, mane! alter inhaesuro similis iam iamque tenere535 cit., pp. will sing Triumph, and the Capitoline will see long processions; Die Peneustochter flieht vor dem, der noch vieles sagen möchte, in ängstlicher Eile und lässt seine unausgesprochenen Worte mit ihm zurück. English Translation. Apollo speaks disparagingly to Cupid, who shoots two arrows in retaliation. Hanc quoque Phoebus amat positāque in stipite dextrā Like a troublesome younger brother, an embarrassment to the family, Ovid’s epic “kicks against the pricks,” to paraphrase the paraphrase of Nick Cave. Ovid characterizes Apollo as a god of foolish and ineffectual passions. Apollo pursues Daphne, but she rejects him. auctaque forma fugā est. Videt igne micantes sideribus similes oculos, videt oscula, quae non est vidisse satis; laudat digitosque manusque 500 bracchiaque et nudos media plus parte lacertos; si qua latent, meliora putat. “nympha, precor, Penei, mane! te coma, te citharae, te nostrae, laure, pharetrae; tu quoque perpetuōs semper gere frondis honorēs!”565 Ovid, Metamorphoses 1 EXCERPTS FROM OVID ... HTM (1) APOLLO AND DAPHNE The story begins just after the young god Apollo has established himself as an adult, powerful god by killing the dragon/serpent Python and claiming its former grounds as the site for his most significant sanctuary, Delphi. Finierat Paean: factis modo laurea ramis adnuit utque caput visa est agitasse cacumen. sic deus in flammas abiit, sic pectore totō495 colored her beautiful face(s) with modest redness one like one about to grasp, now and now hopes to hold it, Unser (pluralis maiestatis) Pfeil ist zwar treffsicher, treffsicherer als unserer aber ist der eine Pfeil, der in einem leeren Herzen Wunden schlägt. arbor eris certe” dixit “mea! Cupid caused Apollo to become obsessed with the nymph Daphne; he simultaneously made her feel revulsion towards Apollo. with your torch, and do not lay claim to my praises!” (461) Du sei zufrieden mit den Liebschaften – ich habe keine Ahnung, welche – die Du mit Deiner Hochzeitsfackel angezettelt hast und füge deinen Lobeshymnen nicht (auch noch) unsere hinzu. Primus amor Phoebi Daphne Peneia, quem non fors ignara dedit, sed saeva Cupidinis ira, Delius hunc nuper, victa serpente superbus, viderat adducto flectentem cornua nervo 455 Wie klangen Ovids Metamorphosen? in the middle of the doorposts you'll stand and protect the oak garland, Jupiter is my father: what will be, [what] was, and [what] is Graphic Novelisation of the Metamorphoses – Updates approximately on Mondays ... Sarah Northrop on Met. tu ducibus Latiis aderis, cum laeta Triumphum560 cui deus “at, quoniam coniunx mea non potes esse, is revealed through me; through me songs harmonize with strings. und die Künste, die allen anderen helfen, nützen ihrem Herrn nichts. morsibus eripitur tangentiaque ora relinquit: maidenhood! Daphne / ˈ d æ f n i / (Greek: Δάφνη, meaning "laurel"), a minor figure in Greek mythology, is a naiad, a variety of female nymph associated with fountains, wells, springs, streams, brooks and other bodies of freshwater.She is said by ancient sources variously to have been a daughter of the river god Peneus and the nymph Creusa in Thessaly (Hyginus Fabulae 203) or of Ladon (the … and her garments were fluttering against her, exposed to opposing breezes, While some such elements might be expected in view of Apollo's epic-style posturing Primmer seems to me to go rather too far in arguing that Ovid … Apollo had finished: The Laurel nodded with her made branches Latein (1) Primus amor Phoebi Daphne Peneia, quem non fors ignara dedit, sed saeva Cupidinis ira. her soft breasts are girded by thin bark, ei mihi, quod nullīs amor est sanabilis herbīs viribus absumptis expalluit illa citaeque enough to have seen, he praises her fingers and hands hostēs quaeque suōs: amor est mihi causa sequendi! Delius (Phoebus Apollo), voller Stolz wegen des Sieges über die Schlange, hatte diesen neulich gesehen, wie er mit gespannter Sehne die Enden des Bogens bog. ‘figat tuus omnia, Phoebe, te meus arcus’ ait; ‘quantoque animalia cedunt cuncta deo, tanto minor est tua gloria nostra.’. Ovid, Metamorphoses 1,445ff. Often her father has said, “daughter, you owe me grandsons”; Zum Hören 452-473 (lat.) Summary . “Metamorphoses” is consisted out of 246 stories of mythological thematic. complexusque suis ramos ut membra lacertis555 Zerstöre die Gestalt, in der ich allzusehr Gefallen erregt habe, durch eine Verwandlung. impatient and free of a man, she roams the pathless wood, sic deus et virgo est hic spe celer, illa timore. (478) multi illam petiere, illa aversata petentes inpatiens expersque viri nemora avia lustrat nec, quid Hymen, quid Amor, quid sint conubia curat. dedit hoc pater ante Dianae.’ ille quidem obsequitur, sed te decor iste quod optas esse vetat, votoque tuo tua forma repugnat: auch kümmert sie weder Ehe, noch Liebe, noch Beischlaf. non incola montis, non ego sum pastor, non hic armenta gregesque horridus observo. Cupid shoots Apollo with a golden, sharp-pointed arrow causing him to fall in love with Daphne; he then shoots Daphne … (562) postibus Augustis eadem fidissima custos ante fores stabis mediamque tuebere quercum. Nachdem er die Zweige wie Glieder mit seinen Armen umfangen hat, gibt er dem Holz Küsse; das Holz freilich weicht den Küssen aus. (497) Spectat inornatos collo pendere capillos et ‘quid, si comantur?’ ait. by the effort of swift flight, watching the waves of Peneus, In “Daphne and Apollo”, a section of The Metamorphoses (Book I: 438-472 — Book I: 553-567), a young nymph named Daphne is put in quite the situation when one of Cupid’s arrows strikes Apollo, making him fall in love with her; and another arrow pierces her heart, resulting in her wanting nothing to do with love or affection. Apoll und Daphne. But indeed, the young man god hie iuvenum quicumque manu pedibusve rotave vicerat, aesculeae capiebat frondis honorem; nondum laurus erat, longoque decentia crine 450 dixit et elisō percussis aere pennis esse vetat, votoque tuo tua forma repugnat: ille quidem obsequitur, sed te decor iste quod optas Commentary: Ovid's Daphne and Apollo (I.452-567) (beta ed. Solche Lasten gehören auf unsere Schultern, die wir dem Wild wie dem Feind wirkliche Wunden zufügen können, die wir eben erst den giftgeschwollenen Python mit unzähligen Pfeilen erlegt haben, welcher mit seinem todbringenden Leib so viele Morgen (Flächenmaß: ein solch riesiges Gebiet) bedrängte. In one of his most famous works, the Metamorphoses, Ovid tells the story of Apollo et Daphne. silvarum latebrīs captivarumque ferarum475 He transforms her into a laurel bush as Apollo reaches her. When the world was created it came from Chaos, "a raw and undivided mass," without living creatures of any kind. oscula dat ligno; refugit tamen oscula lignum. te meus arcus” ait, “quantōque animalia cedunt so geht es auch mit dem Gott und der Jungfrau: Während dieser durch Hoffnung schnell wird, wird es jene aus Furcht. There was a nymph daughter of a river god who was turned off to love. (472) Hoc deus in nympha Peneide fixit, at illo laesit Apollineas traiecta per ossa medullas; (472) Dieses schoß der Gott in die Nymphe, die Tochter des Peneus. pes modo tam velox pigris radicibus haeret, Yet examine whom you please: [I'm] not an inhabitant of a mountain, and as my head is worn with unshorn hair(s), Summary. horridus observo. and which he desires, he hopes, and his own oracles deceive him; Kaum ist die Bitte ausgesprochen, befällt eine schwere Starre die Glieder, die weiche Brust wird von zartem Bast umschlungen, die Haare werden zu Laub, die Arme zu Zweigen, der eben noch so flinke Fuß bleibt in zähen Wurzeln stecken, das Gesicht trägt einen Baumwipfel: Es bleibt ihr als letzter Rest von Schönheit. Ovid characterizes Apollo's pursuit for Daphne as more animalistic than human, and creates the metaphor of a predator and its prey to show the connection between the two. qui tamen insequitur pennis adiutus Amoris,540 Daphne, daughter of Peneus, was Apollo's first love, which. and a light breeze was giving her hair(s) [to be] driven back, OVID was a Latin poet who flourished in Rome in the late C1st B.C. Prīmus amor Phoebī Daphnē Peneia, quem nōn Woe to me, because love is curable by no herbs certior, in vacuo quae vulnera pectore fecit!520 exuviīs gaudens innuptaeque aemula Phoebes: ut canis in vacuo leporem cum Gallicus arvo Delius hunc nuper, victa serpente superbus, viderat adducto flectentem cornua nervo. Fugit ocior aura illa levi neque ad haec revocantis verba resistit: ‘nympha, precor, Penei, mane! You will be present for the Roman generals when a happy voice filius huic Veneris “figat tuus omnia, Phoebe, Apollo pleads and persists, and Daphne cries out to her father for help. He sees that her hair hangs disarranged at her neck, and Apollo[2], arrogant at the serpent having been conquered, semper habebunt te coma, te citharae, te nostrae, laure, pharetrae; (557) Der Gott sprach zu ihr: Auch wenn du nicht meine Geliebte sein kannst, so wirst du doch sicher mein Baum sein. So fliehen die Lämmer vor dem Wolf, die Hirsche vor dem Löwen, die Tauben mit bebendem Gefieder vor dem Adler, alle vor ihren Feinden. quod facit, auratum est et cuspide fulget acuta,470 mit dem anderen aber verwundete er das Mark Apollos durch die Knochen hindurch: Sofort verliebt sich der eine, während die andere vor dem bloßen Namen des Liebenden flieht, sich freut an den verborgenen Tiefen der Wälder und an den Fellen erbeuteter Tiere und der ehelosen Phoebe nacheifert; eine Kopfbinde hält die ungeordnet gebundenen Haare zusammen. and Claros and Tenedos and the royal palace of Patara are devoted; Ich bin kein Bergbewohner, kein Schäfer; nicht so ein Grobian, der das Vieh und die Herden bewacht. 210 ff., stresses the ‘epic’ character of the Apollo-Cupid as a whole and includes primus in a list of several ‘epic’ elements. Ovid, Buch I: Metamorphosen 452-567 (Deutsche Übersetzung) – Apollo und Daphne Lateinischer Text Übersetzung (452) Primus amor Phoebi Daphne Peneia, quem non fors ignara dedit, sed saeva Cupidinis […] then also she seemed graceful, the winds were exposing her body, Ei mihi, quod nullis amor est sanabilis herbis nec prosunt domino, quae prosunt omnibus, artes!’. utque leves stipulae demptis adolentur aristis. As when a Gallic dog has seen a hare in an empty field, Medicine is my invention, and I'm said [to be] aid-bringer through viderat adducto flectentem cornua nervo455 not blind chance, but Cupid’s savage anger, gave. illa velut crimen taedās exosa iugalēs (540) Der Verfolger jedoch, unterstützt von den Pfeilen Amors, ist schneller und gibt keine Ruhe und sein Atem streift das zerzauste Haar am Nacken. doesn't endure to further waste his flatteries, and as Love himself Apollo and Daphne (Metamorphoses, Book 1) Apollo falls in love with Peneus’ daughter Daphne. si qua latent, meliora putat. quā nimium placuī, mūtandō perde figūram!” Aug 2019) … ante forēs stabīs mediamque tuebere quercum, Studies re the Metamorphoses of Ovid (1974), p. 112. auch da war sie reizend anzusehen: Windböen entblößten immer wieder Teile ihres Körpers, von vorn entgegenwehender Wind brachte ihre Kleider zum Flattern und ein leiser Windhauch bewirkte, daß die Haare nach hinten geweht wurden; so wurde ihre Schönheit durch die Flucht vermehrt. (490) Phoebus ist verliebt und will mit der erspähten Daphne schlafen, und was er will, erhofft er, und seine eigenen Orakel täuschen ihn. 'Twas not a cause of chance but out of Cupid's vengeful spite that she was fated to torment the lord of light. Daphne eludes the amorous god Apollo, but at what cost? Ich verfolge dich nicht als ein Feind; warte, Nymphe! Das, das (Liebe) bewirkt, ist vergoldet und glänzt an der scharfen Spitze; das, das sie verscheucht, ist stumpf und hat Blei unter dem Schaft. (461) Tu face nescio quos esto contentus amores inritare tua, nec laudes adsere nostras!’. “quid” que “tibi, lascive puer, cum fortibus armis?” He spoke and after crashing through the air with beating wings saepe pater dixit: “debes mihi, nata, nepotes”; inminet et crinem sparsum cervicibus adflat. sideribus similes oculos; videt oscula, quae non The god said to her, since you can't be my bride, at least laesit Apollineas traiectă per ossă medullas; vel nimis admovit vel iam sub luce reliquit, ne prona cadas indignave laedi crura notent sentes et sim tibi causa doloris! multi illam petiere, illa aversata petentes Einführung Die Neuen Kammern Prosodie & Metrik Literatur & Links. This page was last edited on 1 June 2020, at 15:07. Apollo, arrogant at the serpent having been conquered, had recently seen this one bending his bow with string pulled taut. Daphne, pursued by Apollo, cries for help to her father, the river God Peneus. Apollo loves and desires the marriage of Daphne having been seen, Daphne, daughter of Peneus, was Apollo's[1] first love, which semper habebunt my lyres [will have you], my quivers [will have you], o Laurel; He fell in love with her not by accident, but by the fury of Cupid. Mich bringt die Liebe dazu, dir zu folgen. (452) Die erste Liebe Phoebus‘ war Daphne, des Peneus Tochter – eine Liebe, die ihm kein blindes Geschick schenkte, sondern der ungestüme Zorn Cupidos. One suddenly loves, the other flees the name of lover, pulchra verecundo suffuderat ora rubore non insequor hostis; Er sieht Augen, die den Sternen ähnlich vor Feuer sprühen; er sieht das Mündchen, doch es reicht nicht, es nur gesehen zu haben; er preist die Finger, die Hände, die Unterarme und die mehr als zur Hälfte entblößten Oberarme; ist etwas verborgen, so glaubt er, es sei noch viel schöner. uritur et sterilem sperando nutrit amorem. “da mihi perpetuā, genitor carissime,” dīxit ‘virginitate frui! 19 Due, O. S., Changing Forms. tu ducibus Latiis aderis, cum laeta Triumphum vox canet et visent longas Capitolia pompas; Du wirst bei den latinischen Heerführern sein, wenn eine frohe Stimme den Triumph besingt und die Tempel des Kapitols lange Festzüge sehen. diversōrum operum: fugat hoc, facit illud amorem; Phaedrus 1,5: Canis et Capella, Ovis et Leo (Deutsche Übersetzung). certa quidem nostra est, nostra tamen una sagitta non ego sum pastor, non hic armenta gregesque ipse Amor, admisso sequitur vestigia passu. Selections from Ovid's Metamorphoses (revisions by late September 2019.) he says, “what if it be arranged?” He sees her flashing eyes The first arrow causes Apollo to fall in love, and the second arrow makes the object of his love, Daphne, flee. Original Latin. (557) Cui deus ‘at, quoniam coniunx mea non potes esse, arbor eris certe’ dixit ‘mea! nescis, temeraria, nescis, You don’t know, o thoughtless one, you don’t know whom you [O] Rivers, if you have divinity, Wie die Liebe ihn immer wieder mahnte, folgte er den Spuren schnellen Schrittes. fugit ocior aura Ovid's Metamorphoses. Parthenius tells us that Daphne, a virgin huntress, was the daughter of a Spartan king. he quickly took up position on the shadowy peak of Parnasus, A boy with wings shots his arrows to the hearts of gods and peoples. crura notent sentēs et sim tibi causa doloris! me miserum! et levis inpulsos retro dabat aura capillos, Wie klangen Ovids Metamorphosen? inque patris blandīs haerens cervice lacertīs485 and clinging with charming arms on her father’s neck hoc deus in nympha Peneide fixit, at illo cui placeas, inquire tamen: non incola montis, stravimus innumeris tumidum Pythona sagittis.460 In Book I, his lust for Daphne leads him to caress and kiss her—even after she has been turned into a tree. of the fleeing one and blows on her hair spread on her neck(s). you will certainly be my tree! For Phoebus, proud of Python's death, beheld that impish god of Love upon a time when he was bending his diminished bow, and voicing his … with its deadly underside, with countless arrows. quem fugias, ideoque fugis: mihi Delphica tellus515 Apoll und Daphne. animals yield to a god, by so much is your glory less than mine.” The story begins with Apollo angering the love god Cupid who therefore decides to take revenge. Indeed our arrow is sure, yet surer than ours [is] Die Gegenden, die du durcheilst, sind rau; bitte eile bedächtiger und verlangsame dein Fliehen; bedächtiger werde auch ich folgen. Ovid’s “Apollo and Daphne” embodies the idea of transformation in its every aspect, representing the overarching theme of Metamorphoses, but it also epitomizes a central theme of literature throughout all time: unrequited love. Yet helped by the wings of Love, he who pursues sentit adhuc trepidare novo sub cortice pectus Impressum Sitemap. the same most loyal guard, for the Augustan doorposts, Mythical epic “Metamorphoses” is a work by a Roman writer Ovid. the one which repels [love] is blunt and has lead under the shaft. With the second he transfixed Peneus’s daughter, but with the first he wounded Apollo. and as light stalks are burned after the harvest has been removed, Ovid mixes many literary devices, definite word choice, and dactylic hexameter all to help paint the pictures of his stories. saepe pater dixit: ‘generum mihi, filia, debes,’ saepe pater dixit: ‘debes mihi, nata, nepotes’; illa velut crimen taedas exosa iugales pulchra verecundo suffuderat ora rubore inque patris blandis haerens cervice lacertis ‘da mihi perpetua, genitor carissime,’ dixit. like fire in the stars; he sees her lips, which it is not Er hatte gesagt: Was willst Du frivoler Knabe mit schweren Waffen? tu face nescio quos esto contentus amores … trunk feels that her heart still trembles under the new bark, 1.548-52 – Daphne’s Transformation; Tags. Do not fall forward, [do not] let the briars scar your thighs that You, be satisfied to annoy [some] love [affair] or other Latein mit Hilfen. and from an arrow-bearing quiver he drew forth two weapons This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License. ocior est requiemque negat tergoque fugacis bracchiaque et nudos media plus parte lacertos; Jene flieht schneller als ein leiser Windhauch und bleibt auch nicht auf die Worte dessen hin stehen, der sie zurückruft: sic aquilam penna fugiunt trepidante columbae, hostes quaeque suos: amor est mihi causa sequendi! The story is beautifully expressed by the Roman poet Ovid (Publius Ovidius Naso, 43 B.C.–17/18 A.D.) in his Metamorphoses, written in 8 A.D. Commencing with the creation of the world, the Metamorphoses treats more than 250 tales of … Immer wird dich, Lorbeer, unser Haar tragen, unser Saitenspiel, unser Köcher. Impressum Sitemap: mutatas dicere formas. in frondem crinēs, in ramos bracchia crescunt,550 Text als PDF-Datei (83 KB) Übersetzung Latein mit Hilfen Relief & Mythos . the lion, thus the doves flee the eagle on a trembling wing; It belongs to the middle phase of his literary work in which he wrote mythological poems, even though the influence of his first phase, in which he wrote love poetry, is felt. I pursue not as an enemy; Der Unermüdliche sprach es, stieß Luft aus, schüttelte das Gefieder, stellte sich auf den schattigen Gipfel des Parnaß und zog aus dem pfeilestarrenden Köcher zwei Geschosse mit entgegengesetzter Wirkung heraus: eins verscheucht die Liebe, das andere bewirkt sie. and beauty was increased in flight. ‘quid’ que ‘tibi, lascive puer, cum fortibus armis?’ dixerat: ‘ista decent umeros gestamina nostros, qui dare certa ferae, dare vulnera possumus hosti, qui modo pestifero tot iugera ventre prementem stravimus innumeris tumidum Pythona sagittis. aspera, qua properas, loca sunt: moderatius, oro, curre fugamque inhibe, moderatius insequar ipse. Ovid’s Metamorphosis is the earliest surviving Apollo and Daphne narrative that includes Cupid. and restrain your escape, I myself will pursue more gently. he is burned and he feeds futile love by hoping. inpatiens expersque viri nemora avia lustrat saepe pater dixit: “generum mihi, filia, debes,” nec prosunt domino, quae prosunt omnibus, artēs!” Aug 2017) Translation Sheets: Daphne & Apollo: pdf and doc formats (beta ed. Hard points out that the earliest surviving versions of the Daphne tale, none of which are as elaborate as Ovid, are Hellenistic. curre fugamque inhibe, moderatius insequar ipse. me miserum! Dass du doch nicht stürzt und hinfällst oder Dornen die Unterschenkel, die es nicht verdient haben, verletzt zu werden, ritzen und ich so schuldig an deinem Schmerz werde. 1.553-59 – Apollo Loves a Tree; L Spaeth on Met. Jener gab zwar nach, (und sprach): Aber diese Schönheit da verbietet dir, das zu sein, was du wünschst, und deine Gestalt leistet deinem Verlangen Widerstand. 75613 Metamorphoses — Daphne and Apollo Ovid. und so wie mein Haupt mit seinen ungeschorenen Haaren jugendlich ist, so trag auch du immer dein Laub als ständige Zierde. all things, my bow [will pierce] you; and by as much as all Miserable me! Jul 2017) Commentary: Ovid's Icarus and Daedalus (VIII.183-235) (beta ed., Aug 2019) Translation Sheets: Icarus & Daedalus: pdf and doc formats (beta ed. quodque cupit, sperat, suaque illum oracula fallunt, (497) Er sieht die unfrisierten Haare am Hals herabhängen und spricht: Was ist, wenn sie gekämmt werden? utque meum intonsis caput est iuvenale capillis, tu quoque perpetuos semper gere frondis honores!’. sic agna lupum, sic cerva leonem. Two examples of the sculptor's early mythological works considered are the Apollo and Daphne, the most comprehensive demonstration of Ovid's influence in theme and concept, and … the one arrow which has made wounds in my empty heart! et “quid, si comantur?” ait. and this one seeks prey with its feet, that one safety; (512) Frag doch wenigstens, wem du so gefällst: (521) Inventum medicina meum est, opiferque per orbem dicor, et herbarum subiecta potentia nobis. Apollo und Daphne. dedit hoc pater ante Dianae.” and she left the unfinished words with him himself; Soll doch Dein Bogen, Phoebus, alles durchbohren; meiner (aber) trifft dich; um wieviel alle Tiere im Vergleich zu einem Gott gelten, um so viel geringer ist dein Ruhm als der unsrige. https://en.wikisource.org/w/index.php?title=Translation:Metamorphoses/Daphne_and_Apollo&oldid=10220266, Wikisource translations with no original language, Wikisource translations with no original source, Creative Commons Attribution-ShareAlike License. With her strengths spent she paled and having been conquered either moved too close or has abandoned now at dawn, (521) Die Heilkunst ist meine Erfindung, der Hilfreiche werde ich auf dem ganzen Erdkreis genannt, die Kraft der Pflanzen steht uns zur Verfügung: (533) ut canis in vacuo leporem cum Gallicus arvo vidit, et hic praedam pedibus petit, ille salutem; alter inhaesuro similis iam iamque tenere sperat et extento stringit vestigia rostro, alter in ambiguo est, an sit conprensus, et ipsis morsibus eripitur tangentiaque ora relinquit: (533) Und wie es war, als ein gallischer Hund auf brachem Feld plötzlich einen Hasen sah und dieser der Beute nachjagte, jener um sein Leben lief (der eine sieht aus, als hinge er ihm im Nacken und hofft, ihn im nächsten Augenblick zu packen und streift seinen Fuß mit vorgestreckter Schnauze; der andere ist im Ungewissen, ob er erwischt wurde, reißt sich sogar von den Zähnen los und läßt das Maul, das ihn schon berührt, zurück); (540) qui tamen insequitur pennis adiutus Amoris, ocior est requiemque negat tergoque fugacis inminet et crinem sparsum cervicibus adflat. “virginitate frui! Mir sind das Gebiet um Delphi, Claros (Stadt in Ionien mit Apollo-Tempel), Tenedos (Insel in der Ägäis, auf der Apollo verehrt wird) und die Königsfamilie von Patarea (Stadt an der Südspitze Lyciens mit einem Apollo-Orakel) untertan; Jupiter ist mein Vater. fors ignāra dedit, sed saeva Cupīdinis īra, (452) Primus amor Phoebi Daphne Peneia, quem non fors ignara dedit, sed saeva Cupidinis ira. postibus Augustīs eadem fidissima custos warned, he pursues her footprints with his stride let go. videt igne micantes thus god and maiden; he is swift with hope, she [is swift] with fear. and early C1st A.D., during the reign of the Emperor Augustus. inventum medicina meum est, opiferque per orbem Apollo loves this one too and with a right hand placed on the if some things lie hidden, he imagines them better. as hedges are burned with torches, to which by chance the traveler In lines 508-514 on his story, "Apollo et Daphne", Ovid’s main character Apollo warns Daphne that she travels down dangerous paths, … the world, even power of plants was put under our [control]. illa levi neque ad haec revocantis verba resistit: Certa quidem nostra est, nostra tamen una sagitta certior, in vacuo quae vulnera pectore fecit! tum quoque visa decens; nudabant corpora venti, obviaque adversas vibrabant flamina vestes, Einführung Die Neuen Kammern Prosodie & Metrik Literatur & Links. dicor, et herbarum subiecta potentia nobis. rejoicing in the hiding-places of the woods and with the spoils (478) Viele haben sich um sie bemüht, doch sie blieb abgeneigt, duldet die Bewerber nicht und durchstreift ohne einen Mann die abgelegenen Wälder; (490) Phoebus amat visaeque cupit conubia Daphnes, quodque cupit, sperat, suaque illum oracula fallunt. adnuit utque caput visa est agitasse cacumen. alter in ambiguo est, an sit conprensus, et ipsis Hanc quoque Phoebus amat positaque in stipite dextra sentit adhuc trepidare novo sub cortice pectus conplexusque suis ramos ut membra lacertis oscula dat ligno; refugit tamen oscula lignum. ora cacumen habet: remanet nitor unus in illa. Often her father has said, “daughter you owe me a son-in-law,” himself from the very jaws, and escapes the touching mouth: ut facibus saepes ardent, quas forte viator I who just defeated the swollen Python covering so many acres you also, bear always the everlasting praise of your foliage!” Wehe mir! Viribus absumptis expalluit illa citaeque victa labore fugae spectans Peneidas undas ‘fer, pater,’ inquit ‘opem! The places where you hurry are harsh: I pray that you run more gently Päan hatte sein Reden beendet: Der Lorbeer gab mit den eben entstandenen Zweigen ein Zeichen und man konnte sehen, dass er seinen Wipfel wie ein Haupt bewegte.
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