The A7s II is capable of a maximum of 5fps with speed priority and 2.5fps with focus priority, while the GH5 can manage 9fps in C-AF or 12fps in S-AF. The Sony a7S II’s array of frame rates, resolutions, ... 4K Delivery — while not yet too common, if you need to deliver your footage in 4K, it’s best to shoot in 4K as well. We were not asked to write anything about these cameras, nor were we provided any compensation of any kind. The bitrate is also superior with 150, 200 and 400mbps with IPB/All-Intra compression options (some available with the future firmware as well). The A7s II is capable of a maximum of 5fps with speed priority and 2.5fps with focus priority, while the GH5 can manage 9fps in C-AF or 12fps in S-AF. 2 compatible cameras, it is more effective than the stabilisation of the Sony camera. The GH5 is the first Lumix camera to feature the second generation Depth from Defocus contrast detection system with 225 focus points, a new motion detection algorithm and a 480fps drive speed. I'm still adjusting to using it for photos as I came from Canon. Sony’s a7S II shoots high-quality video in a variety of formats all the way up to 4K resolutions. Finally, the GH5 comes with more controls, such as 20 function buttons (including the on-screen virtual buttons) and an AF joystick, though only the A7s II has a dedicated exposure compensation dial. Both cameras feature a Log profile setting but the A7s II has two of them (S-Log2 and S-Log3) that are built-in by default to the camera. Main menu SONY. 2. 4K video output with full pixel readout. For this reason, we usually pack around 2-3 batteries for a full day of shooting. The a7S II shoots in the UHD-flavor of 4K only (not DCI/Cinema 4K). The … Archiving — shooting in 4K future-proofs your footage a bit better than HD. The Sony will be bought by those in the Sony system and purchased by those using the A7SII or maybe the A7III for video. Below you can watch a quick video Nick sent to Newsshooter that shows the low-light capabilities of the new GH5. One of the more confusing aspects of the a7S II’s different recording modes are the crop factors you have access to when shooting in a particular format, so let’s break it down so it’s simple to understand. The GH5 will feature the Cine-Like D, Cine-Like V, Like 709 and Hybrid Log Gamma (HDR) profiles. For example, the a7S II’s APS-C mode uses a smaller portion of the sensor, resulting in a 1.5x crop factor. By ThatSoundGuy November 10, 2017 in Photography and Videography. Share Followers 1. Our newsletter goes out every week on Sunday. But R5/6 for those wanting stills shooting, some video, all arounder. Flag this review. The a7S II uses an even smaller portion of the sensor when shooting HFR footage at 100fps and 120fps to maintain image quality at these high frame rates. The GH5 will require a $100 paid upgrade to get the V-Log profile. NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, 240 fps. The a7S II adds a wealth of videography features, including the ability to record 4K footage internally with full pixel read-out. The only exception is the A7s II’s extraordinary low-light capabilities afforded by its 12MP full-frame sensor. Third, like most of the latest mirrorless flagships, the GH5 sports two SD-card slots with UHS-II compatibility. Published January 16, 2017 By Heather Filed Under: Preview Tagged With: Preview. Excellent. Both cameras produce beautiful image quality, but while the a7S II is renowned for its low-light capabilities, the GH5 packs loads of still and video features which, until now, were unseen on a mirrorless body. Other codecs deliver lower quality and should be avoided unless you have a specific reason for using them. Admittedly it remains to be seen whether the more power-hungry GH5 will drain it more rapidly. Last updated: September 15, 2020 Go to Comments. 1. Better HD output – sharpness is improved while artifacts such as noise and banding are reduced when downscaling 4K footage for HD delivery. Thank you! The GH5 features an upgraded version with more entries per page and a more elegant/minimalistic design. Hassle-Free 4K: How to Choose the Right Memory Card for the Sony a7S II An In-Depth Guide By Sol March in Resources. According to Panasonic, the improvement is relevant for video recording too. It was an inevitable announcement, and today we finally got it: the Sony a7S II has been introduced with internal 4K. The α7S II features sensitivity up to ISO 409600 ; wide dynamic range; 5-axis image stabilization; internal recording of 4K movies in full-frame format featuring full pixel readout and no pixel binning; extra-fast, precise AF; and compatibility with a growing line of lenses. Even after months or years of ownership, there will always be a setting or two whose location will manage to elude you due to its cluttered nature. Along came the A7Sii. จากที่ได้ลองใช้ iphone 12 มาประมาณ 1 เดือนและได้ทดสอบวีดีโอ Slow Motion ในโหมดต่างๆทั้ง 4K 60fps, fullHD 120fps กับ 240fps ในความรู้สึกส่วนตัวรู้สึกว่า 4K 60fps กับ fullHD 120fps นั้นดีกว่าที่คาดไว้พอสมควรเลย A significant difference between the two cameras regards their respective continuous shooting speeds. That’s a lot of data, and it means 4K videos look incredibly rich and smooth. Flagged. Both cameras have a real-time LUT option to preview real contrast and colours rather than the flat look of the Log profile but only the GH5 has a waveform and vector scope built-in. There may be a lot to take in at first, but once you get a handle on the a7S II resolutions, frame rates, and bitrates, it will be pretty easy to stay on top of it all. If you ever get lost in the jumble of recording modes, just take a look at the handy table above and things will be much clearer in a jiffy. I have HEVC (h.265 footage) shot on the new a7s iii (4k 120p 10bit 422) and since the footage is very demanding on the CPU, I need to create proxies, but Premiere only supports up to 60fps, so like what was mentioned, I tried using media encoder, and interpreting the footage that way, but the proxy that was created is out of sync with the original clips audio in the … ILCE-7S. The camera will also maintain a 4:2:0 8-bit option that will raise 4K recording up to 50/60fps. The GH5 too combines sensor and optical stabilisation using a system called Dual I.S. When a non-stabilised lenses that communicates the focus distance is mounted, it uses 5-axes on the sensor. Body Only 05 May 2019 by IVANNAVA (USA) I BOUGHT THIS … The GH5 houses a newly developed 20.3MP Four Thirds sensor. GH5 vs. Sony A7Sii GH5 vs. Sony A7Sii. The Sony a7s camera features a 12.2 MP full-frame sensor, E-mount interchangeable lens, and 4K video recording capability. [This post will be updated frequently] Building off the stellar quality of the a7S, the a7S II has better internal processing to handle shooting 4K up to 30fps straight to the SD cards. If you want to play this footage back in slow motion, you’ll have to conform the footage in post. The electronic shutter of the GH5 allows for a maximum 1/16,000 shutter speed, which is faster than the A7s II’s maximum speed of 1/8000s. This is great, because when played back at 24fps, you end up with smooth slow-motion footage that is 5 times slower than normal. lenses. This makes the a7S II one of the most compact 4K-capable cameras available, similar in size to the Panasonic GH4. That stellar low-light performance extends to video too – it may not be able to manage 4K at 60fps but the A7S II is a superb video camera. ), allows you to make your static time-lapse shots to become much more dynamic. This sony A7Sii has been a great step up from my previous DSLR when it comes to video. The A7s II sports a full-frame 12.2MP Exmor CMOS sensor. Unlike standard HD recording that downsamples the output from the full the 12MP sensor, HFR mode uses a 1920 x 1080 portion of the sensor which results in a 2.2x crop factor. Ethics statement: The information supplied in this article is based on the official specifications found on the Panasonic / Sony websites and our personal experience with Panasonic and Sony cameras. Panasonic menus tend to be much more straightforward, with bright colours and clearly defined categories for the various features. As a result, conforming HFR footage in-camera is not recommended. SONY; Sony Sites; Electronics. Without I.S. Sony has introduced the Alpha 7S II, a second iteration of its video-centric Alpha 7S. I am loving the internal stablisation, the custom buttons and custom function menu. Good. If previously it became known that the Sony a7S III will support shooting 4K video with a frame rate of 60 fps, 10-bit presentation, and 4: 2: 2 color sampling on removable media, then new information relates to the possibility of shooting video with HDMI output. It’s sharp, and the 50Mbps bitrate holds up well. That is the only thing I'm waiting for to upgrade to the next chapter of Sony. from Dan Chung on Vimeo. Design. 240 or 200 fps not available when using [XAVC HS 4K], [XAVC S 4K], or [XAVC S-I 4K] … Another first for this series, the a7S II is capable of shooting 120fps at … While one battery might not be enough for an entire day of shooting 4K, it definitely lasts longer than the Sony battery. According to the official statement made by Panasonic, the GH5 offers 5 stops of compensation and these 5 stops are maintained up to 280mm with select Mega O.I.S. Picture Quality. The same advantages when you’re creating a 4K time-lapse. I am loving the internal stablisation, the custom buttons and custom function menu. Concerning the connection options, the A7s II has a microphone input and headphone output as well as a Micro HDMI port. I'm still adjusting to using it for photos as I came from Canon. There are a number of things you can do with the dual memory card slot, the most impressive being the ability to record 4K 4:2:2 10-bit video at 400mbps on both cards at the same time. The a7S II can shoot at high frame rates (HFR) up to 120fps. Read more. Being a more recent release, the GH5 could have an advantage over the Sony camera but we need to perform a real-world test to confirm this. Furthermore, it’s one of the few 4K cameras with a full-frame 35mm sensor. This saves you a step in post-production, but it also lowers the bitrate to a measly 12-16Mbps. The GH5 uses the same battery as its predecessor, the GH4, and it is one of the longest lasting batteries we’ve ever used on a mirrorless camera. Reframing in Post — the large 4K frame size allows you to use just a portion of the image when delivering in HD. To combat noise in low-light, it uses 3-dimension colour control and precise noise reduction techniques at sensitivities up to 25600 ISO. With the 4K or 6K Photo modes, the GH5 can record a 4K video at 60fps or a 6K video at 30fps and allow you to save any frame as a 8MP or 18MP JPG respectively. In our experience, it isn’t particularly fast for either stills or video and the performance deteriorates in poor light conditions. 12.2 MP 35 mm full-frame Exmor® CMOS sensor. Sony A7 S III Rumored specification. Otherwise it is hard to find a more advanced hybrid camera for stills and video than the GH5, and the cherry on top is that, despite being a brand new model, it costs around $1000 less than the A7s II. Here are some examples of when shooting in 4K with the a7S II is ideal: Here are some examples of when shooting in 4K with the a7S II may not be a good idea: Bottom line: The a7S II now shoots in 4K internally, making it easy to capture high-resolution 4K footage without requiring a bulky external recorder. The A7s II retains the same 12-megapixel sensor and 409,600 ISO light sensitivity of the original model. The GH5 has a full-sized HDMI port and audio in/out too. … Your vote has been counted. I have found it to be a little bit less intuitive but this may just be as I've only used Canon … Light Painting (a 4K/6K feature known as Light Composition on the GH5). Last but not least, the GH5 can do unlimited recording in 4K and 1080p while the A7s has a 30 minute limit per clip. High frame rates for slow motion are HD-only (50fps, 60fps, 100fps, 120fps). Better HD output – … The a7S II gives you a good amount of options when it comes to choosing the ideal recording mode for your project. Get the right cards to unlock the camera’s full potential. Use this handy reference guide to make sense of the a7S II’s recording modes at a glance. Good. Standard frame rates (24fps, 25fps, and 30fps) are available in all resolutions. Sony A7 S3 Stacked CMOS Sensor; technically superior to a9/fs sensor; 4K 60FPS / HDR; By having new generation of his Stacked CMOS sensor and advanced image process the camera will going to record 4K videos at 60 frames per second and you will also get a option to record 4K HDR. Crisp 120fps upscaled til 4k. If most of your photography or videography takes place in very poor light conditions, the A7s II is the obvious choice. Anyone who has owned a Sony mirrorless camera will agree that the menu system isn’t the easiest to navigate. With the 4K or 6K Photo modes, the GH5 can record a 4K video at 60fps or a 6K video at 30fps and allow you to save any frame as a 8MP or 18MP JPG respectively. The biggest advantage the A7s II has over the GH5 in terms of design is its size (126.9 x 95.7 x 60.3mm vs. 138.5 x 98.1 x 87.4mm) and weight (627g vs 725g). Thank you! I also believe some videographers will add the R5 for brief shots in 8K or oversampled 4K. However, you also have the option of conforming HFR footage in-camera to the desired frame rate (e.g. Not only does it surpass the GH5, but also most of the competition (apart from the Nikon D5 and the previous A7s). It’s full-frame only in 4K. 0. The A7Sii brought along 4K video internal recording. Choose the highest bitrate available to the recording mode you’re using for the best image quality. Some examples of features found on the GH5 that you must pay for and download for the A7s II are: However, to Sony’s credit, there is a wider selection of features (around 33 at the time of writing) and the apps are being updated all the time. Note: This guide focuses on the a7S II’s recording modes that use the XAVC-S codec. The Sony camera has 4K capabilities (UHD – 3840 x 2160) up to 30fps and 1080p video up to 120fps. 3-axis gimbal 4K 4K Camera 4K Mirrorless 4K Recorder/Monitor 4k video 6K Camera Accessories Adobe ARRI Atomos audio BlackMagic Design camera comparison Canon Cinema Camera Cinematography Color Grading DaVinci Resolve DJI editing filmmaking filmmaking gear filmmaking tips and tricks Firmware update Full-Frame Camera Gear GH4 GoPro LED lighting … The message was attached to a video Nabil uploaded to Youtube: This is just a teaser of upcoming hack similar to magic lantern that will be available for the Sony A7S, possible on the A7S II but … The larger sensor allows for more dynamic range, and the fact that there are fewer pixels spread across a larger surface area means that each photosite is larger, enabling minimal noise and impressive sensitivity up to 102,400 ISO (expandable to 409,600 ISO). Distinguished for its impressive performance at high ISOs, the Sony A7s II can deliver usable results for stills and video up to 51200 ISO, with 102400 ISO being the very limit for extreme situations. Excellent. It is giving me a lot of control to make it my own. I have found it to be a little bit less intuitive but this may just be as I've only used Canon … Meet the smallest 35 mm full-frame camera. The two leaders driving these technological advancements are Sony and Panasonic, which doesn’t come as a surprise since they have years of experience in the professional video equipment sector. In an earlier article I outlined how shooting in 4K gives you advantages like being able to pan and zoom, crop and reframe. In our experience, Sony batteries, which haven’t grown any larger or more powerful since the original A7 was released in 2013, don’t last very long, especially if you shoot a lot of 4K video on the A7s II. Second, whereas the A7s II has a standard 3.0-inch tilting screen without touch capabilities, the GH5 comes with a multi-angle 3.2-inch touchscreen that flips out to one side. It uses the XAVC S codec, which requires a fast SD card but supports a bitrate of up to 100Mbps. Allegedly, the … The Sony A7s II might have better dynamic range and low-light performance, but when it comes to the rest of the specifications, the GH5 looks more impressive. An updated BIONZ X processing-engine boosts processing speed by approximately 1.8x compared to the a7 II. A7Sii. The ISO range of 100 - 51200 (expandable to ISO 50 – 204800 for still images) is an overall 1.5-stop improvement in image quality. Setting native 120fps footage to play back in slow motion usually only takes a couple clicks in your NLE software (e.g. The a7S II also produces solid HD footage. The Support Crew: Is Sony’s a7S II Fit for Full-Time Video Production? The Headliners: Is the Sony a7S II More than a One-trick Pony? Your personal data won't be recorded until the form has been submitted successfully. If you decide to buy something after clicking the link, we will receive a small commission. We can’t yet say anything about old H264 video codec it is using, but we sure do miss the 4K 60fps video recording option. and keeps the bitrate as high as possible. In this case, the higher resolution can put the Panasonic at a slight advantage for still photography in certain situations. Skip to Content . When combined with optically stabilised (OSS) lenses, the A7s II uses 3 axes on the sensor and 2 axes (Pitch/Yaw) of the lens’ optical stabilisation. The second generation of A7 cameras, comprising the A7 II, A7r II and A7s II, was the first in the Sony E-mount range to integrate 5-axis sensor shift technology. However, we cannot expect it to match the performance of the Sony, not only because full-frame sensors almost always outperform crop sensors in poor light conditions but also because the A7s II model was specifically designed for low-light work. Both cameras have a maximum mechanical shutter speed of 1/8000s. Considering the gap in age between the GH5 and A7s II, it should come as no surprise that the Panasonic camera outperforms its competitor in most ways, from its advanced video specifications and design to its autofocus performance and burst capabilities. EXCELENT CAMERA. A significant difference between the two cameras regards their respective continuous shooting speeds. Finally, with lenses that lack electronic contacts altogether, such as manual focus lenses, the camera uses just 3 axes instead of 5. Your vote has been counted. Sony gave the ability to export a 4K signal via their HDMI port direct from the sensor as the Sony’s processor wasn’t able to do it itself. It’s not just all about the sensor. Internally it uses the XAVC S codec with a maximum bitrate of 100mbps in 4K and 50mbps in Full HD. Finally, as the native resolution of the a7S II’s 12MP sensor is so close to 4K resolution to begin with (4240 x 2832 vs 3840 x 2160), you cannot change the crop factor when shooting in 4K like you can when shooting in HD. Thank you! When shooting at high frame rates (HFR) such as 120fps, the a7S II creates actual 120fps files by default. Here are some examples of when shooting in HD with the a7S II is ideal: Here are some examples of when shooting in HD with the a7S II may not be a good idea: Bottom line: The a7S II’s solid HD output makes it a no-brainer when you need a fast turnaround without compromising on image quality. According to Lumix Ambassador Nick Driftwood in his conversation with Newsshooter, the GH5’s low-light performance is “a definite improvement in performance over the GH4”, appearing useable up to 6400 ISO. 2 and in our experience with other Dual I.S. First, here’s a quick breakdown of the options you have in each recording mode: Now let’s take a closer look at where each recording mode shines, and when it should be avoided: Whereas the original a7S could only produce 4K video with the aid of a 4K recorder, the a7S II improves upon its predecessor by enabling in-camera 4K recording. Read more . It would be impossible to begin this comparison without mentioning the obvious difference in sensor size and resolution. When a smaller section (or “crop”) of the sensor is being used during recording, the “crop factor” indicates how much the resulting field of view (FOV) is affected compared to the full-frame FOV. The DfD technology identifies the subject in all frames and analyses it with more resolution. © 2021 Suggestion of Motion. Bottom line: The a7S II’s different recording modes may use portions of the sensor which increases the crop factor and narrows the field of view, resulting in a magnified image. This sony A7Sii has been a great step up from my previous DSLR when it comes to video. Their respective mirrorless systems are extremely popular amongst amateur filmmakers, and have even been used for certain scenes in high-end productions. Panasonic Lumix GH5 – Can it See in the Dark? The Sony a7S II’s array of frame rates, resolutions, and bitrates gives you so many recording combinations that it can boggle the mind. PAL mode: 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps, 100 fps, 200 fps. Users will be limited to 30-minutes of filming in 8K or 4K (60fps) though. The A7s II has seven customisable Picture Profiles with settings inherited from its Cine-Alta professional camcorders. Sony A7sIII camera attributed support for 4K video in RAW format with a frame rate of 120 fps. … The exception to that rule is if you shoot in Sony’s new All-I mode, which still allows you to shoot 4K 10-bit 4:2:2 video (at speeds of up to 60fps, but not 120fps), but it’s less compressed. The GH5 is the first interchangeable-lens camera to feature 4:2:2 10-bit internal recording, which means it captures double the colour information (4:2:2) and 64 times the colour depth (10-bit).
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